Top 10 tv 2014
Monday December 29, 2014 in television |
- Game of Thrones
- Homeland
- The Leftovers
- American Horror Story
- The Walking Dead
- Penny Dreadful
- True Detective
- Orphan Black
- Ripper Street
- Hannibal
The Ice House
Wednesday December 24, 2014 in ghost stories |
Made in 1978, The Ice House is the final entry in the original run of the BBC’s A Ghost Story for Christmas series. A contemporary set, non M.R. James story and minus the directing talent of Laurence Gordon-Clark, this is perhaps the most far removed film from the original intentions of the annual seasonal treat. But like the disturbing Stigma from the year before, The Ice House still deserves a nod of recognition.
Where Stigma is harrowing to watch, The Ice House is effective by being chillingly weird. It was written by John Bowen, who also penned the cult Play for Today Robin Redbreast in 1970. In The Ice House John Stride is Paul, a man who visits a health spa in the country. He’s a lonely character, dropping into conversation that his wife has recently left him. There’s a generally odd air about the spa created by the almost unsettling calm of everyone and Paul becomes fascinated by the lightly incestuous siblings who manage the hotel and the eerie brick “ice house” out in the grounds. A suggestively shaped hole in his bedroom window also helps to add to his gradual feeling of chill.
The Ice House reminds of several other, and ultimately better, entries in the series, for example the gently macabre tone of Lost Hearts. There’s also the James theme of middle aged gentleman searching for and being drawn towards something evil, although this time it isn’t really clear what the motives are. And like all of the Ghost Stories for Christmas films before it, this one doesn’t end well for the protagonist.
Christmas Day television ended transmission on BBC1 for Christmas Day Monday 25th December at 1135 pm with The Ice House. For an audience treated to an evening’s viewing of Mike Yarwood, True Grit: A Further Adventure with Warren Oates and Michael Parkinson talking to Arthur Askey it was probably a welcome relief. ITV offered an alternative with Ghost Story (1974) starring Larry Dann, whilst switching back to BBC2 at half past midnight offered the intriguing Late Night Story: Tom Baker reads The Emisary by Ray Bradbury.
And as for Lawrence Gordon-Clark, he moved over to ITV to direct a 1979 version of Casting the Runes starring Iain Cuthbertson and Jan Francis. Clive Exton (who wrote Stigma) adapted the original James story. This one is well worth catching.
Up the Hill Backwards*
Friday November 21, 2014 in david bowie | music
David Bowie is no stranger to the compilation album. His collections have grown, over the years, into a large number of tucked away vinyl, CDs and cassettes in most people’s ownership. Tonight I counted 47 Bowie compilations listed on Wikipedia. 6 feature the word “best” in the title, always an indication of a lazy collection. Number 47 is Nothing Has Changed with only 18 tracks out of 59 that I didn’t already own. Was I going to buy it?
Yes I was. As I’ve recently bought back into Bowie from his return last year I’ve been interested in his every release now. But two things: the new single Sue that’s been cruelly labelled as jazz, and the format of the new “best of” that is assembled in reverse chronological order. So we get Sue all the way back to Liza Jane. And I like Sue – it’s Bowie not really giving a fuck. He’s even wearing glasses in the video.
The structure of Nothing Has Changed works very well. The very recent work from The Next Day has been rightly celebrated and Where are we Now?, Love is Lost and The Stars are out Tonight kick things off. But as things proceed there’s a reminder that Bowie’s 1990s and early 2000s work is also refreshingly good – Everyone Says ‘Hi” or Slow Burn for example. Little Wonder and Hello Spaceboy (with the Pet Shop Boys) stand up well too.
Foe a Bowie compilation that’s had the most thought put into it there are a few odd choices. The mid to late 80s period is painful, particularly Blue Jean and Dancing in the Street with Mick Jagger. Why? Loving the Alien and This is not America are also best forgotten. Also and sadly, the reworked Let me Sleep Beside you also explains why thy Toy album was left unreleased.
There are countless gems though. All the Young Dudes has never sounded so excellent, nor Fame or Heroes which are both 2014 remasters. The remaster magic also applies to Changes and The Man who Sold the World. And I’ve never been a fan of Wild is the Wind until now, but suddenly put into context after (or before?) Golden Years it sounds marvellous. Also benefitting from being part of a compilation by being taken out its original environment is Moonage Daydream from the Ziggy Stardust album.
Nothing Has Changed works particularly well on a long car journey because, well, it’s rather long. The unreleased tracks aside, the fact that I didn’t already own many of the songs included reveals my dismissal of Bowie’s work past 1990 – which turns out to be foolish as there’s much to be said for his “later” work. All in all good stuff – although perhaps it best to stop at number 47.
And surprisingly, overall, my stand out track on first listening is In the Heat of the Morning from 1967’s David Bowie. The strange surprises are the best.
* track not included in this compilation.