Percy Jackson and the Rowling Theft

Saturday February 13, 2010 in 2010 cinema | children

Percy Jackson and the Lightning Thief is an okay film. Alright, it’s quite a good film. As long as you don’t equate originality with quality, and don’t mind making a mental note of all the Harry Potter comparisons you will inevitably find. This film is very much School of Harry Potter, and gets tops marks for the Hogwarts Formula module. The Hogwarts Formula module is a course that teaches the following bullet points for success in creating a Potter clone:

  • Your hero lives quite a grim life, either under the guardianship of a grotesque Dahl-inspired uncle or an abusive stepfather. Later we learn that, in a perverse way, he is actually here for his own protection.
  • Your hero is an unlikely hero inasmuch as he learns very suddenly, and very quickly, about his true parentage when he is thrust into a new and very magical world.
  • Your hero has two best friends, a boy and a girl. There is some initial love interest with the girl, who is quite feisty. In a further instalment the hero and best male friend may quarrel over the girl.
  • The magical world is entered via a secret gateway not accessible to normal humans. This could either appear in the form of an extra station platform or, erm, a not particularly secret looking gateway.
  • The magical world focuses on training our heros, either in the form of a school, or an open air camp where you can do archery and stuff. A bit like Centerparcs.
  • a wise, big-bearded, authoritative figure oversees our hero and his gang. Richard Harris is the model although Michael Gambon will do. Pierce Brosnan will also do.
  • The director Chris Columbus will do.

And so on. Rick Riordan’s Percy Jackson has an advantage over Harry Potter in that it weaves Greek mythology into its universe, this giving the opportunity to use recognisable stories (whereas Rowling writes herself into a corner where she is forced to invent everything from scratch). Percy Jackson and the Lightning Thief features a host of Greek Gods played by English actors, including Sean Bean (Zeus) and Steve Coogan (Hades) and a good share of mythological monsters, the best of these being Medusa (played rather well by Uma Thurman). The film gives an excellent take on the Medusa tale with Percy using the back of his iPhone to deflect the deadly gaze of the serpent-headed one. Similarly, the story of the Lotus Eaters receives a modern treatment when the gang go to Las Vegas.

Uma Thurman and Logan Lerman in Percy Jackson and the Lightning Thief

Percy Jackson and the Lightning Thief is driven by an obvious plot that is nevertheless still enjoyable. Percy’s mum is kidnapped by Hades, he must travel to the Underworld to rescue her but must first find three pearls that will get him and his friends back safely. There’s an obvious villain, and so on. Where this film doesn’t have an advantage over Harry Potter is in that is rather too cynical in taking up the Hogwarts Formula module. There aren’t enough strong supporting players (no equivalent Hagrid or Snape, for example) and, whatever you think about Harry Potter, it does have buckets of enviable charm which is beyond any formulaic approach.

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